Live & Stream

Max Gruber & Heinz Ditsch
Max Gruber & Heinz Ditsch

Max Gruber & Heinz Ditsch ‘Song to Myself’ (A)

Porgy & Bess, May 26, 2026 – 8:30 PM

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Heinz Ditsch and Max Gruber have come together to reconnect with an ancient artistic tradition of this city — the fusion of poetry, music, performance, and modernity inseparably associated with names such as Abraham a Sancta Clara, Johann Nestroy, Konrad Bayer, H. C. Artmann, and Ernst Jandl.

This tradition was embodied by the legendary ensemble “Des Ano,” with which Gruber achieved the remarkable feat of defining an entirely new genre: RAP as “Rhythmically Performed Poetry.” The German newspaper DIE ZEIT wrote that Gruber was the “new house poet of the dark Viennese school of mourning, melancholy, musicality, and lurking, sometimes ranting malice.” Elke Heidenreich named the wicked “Little Man” her favorite piece. With the new program “Song to Myself,” this tradition continues.

Heinz Ditsch, accordionist with Kollegium Kalksburg, returns to his old love, jazz, and leads a classical piano trio. Drummer Georg Edlinger and double bassist Sascha Lackner demonstrate their stylistic versatility.
With Max Gruber as narrator and reciter, every form of encounter, fusion, and confrontation between music and language is explored.

A music as eloquent as language is musical. “Song to Myself” tells of the difficulties of achieving greatness in life and investigating the causes of one’s own hard-earned insignificance. A musical-literary tour de force oscillating between concert, literary performance, spoken opera, theatre evening, elevated liver values, and deep melancholy — while not shying away from moments of “irresponsible cheerfulness” (© Karl Kraus).
(Press text)

For K.: New Stories and Images for Franz Kafka

Edited by Otto Brusatti, echo medienhaus. Book ISBN: 9783903989573

How does one pay homage to Franz Kafka—especially on the centenary of his death? He shaped literature like few others. Hardly any writer or poet, scarcely any other artist, can escape his influence. Editor Otto Brusatti rose to the challenge by inviting seventeen creators to offer their personal responses to Kafka. The form was left open: it might be a short story, a novella, a parable—but not a dramatic piece, nor any kind of continuation or elaboration of a Kafka fragment (if such a poetic “tors o” exists at all). Instead, Kafka was to serve as stimulus, secret inspiration, even model.

Theodora Bauer, Arno Geiger, Max Gruber, Monika Helfer, Bodo Hell, Paulus Hochgatterer, Franz Hohler, Radek Knapp, Natasha Korsakova, Thomas Macho, Kurt Palm, Rafik Schami, Stefan Slupetzky, Edgar Tezak, Renate Welsh, and Anton Zeilinger all agreed to contribute. The result can be found in this volume: the pieces are strikingly diverse—yet almost no one could or would entirely avoid Kafka’s models (above all from certain stories or from the novel „Der Prozeß“).